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  • MOutcast replied to the topic 'Sound and Visuals movement controlled.' in the forum.
    3 hours 15 minutes ago

    hi Bl4cksun,

    yes, i found a very simple solution for that synching thing. i did not like the way i was achieving the synching with v-modul methods before.
    now i am playing it basicaly with hand and head ;-)

    basic set up is: from the package i am using v-cam to have simply my internal webcam grabbed. and stream it into several effects separatly. all the effect outputs go in separate mixer (v-mixer) channels. whatever comes out through the effects into the mixer channels is moving according to the movement of my hands or/and head/body.

    from there you can go nuts with m4l influencing sounds, automation and so on...

    by the way...did you try "vizzible". it looks good to me, but as so often it does not work propperly for me and crashes the system :-(

    cheers jens

  • Bl4cksun replied to the topic 'Sound and Visuals movement controlled.' in the forum.
    4 hours 9 minutes ago

    I'd love to see a '...the making of....' video, to see how you achieved that. I recently invested in a leap motion cause it was on special offer but haven't yet worked out how best to integrate it into my workflow.
    Music was a bit disjointed for my personal tastes (I mean its not the sort of thing id listen to, not that its bad or anything) but the sound to video sync was impressive together with all the video blends. What did you use in addition to the v-module video plugins?

  • MOutcast created a new topic ' Sound and Visuals movement controlled.' in the forum.
    4 hours 52 minutes ago

    improvising with movement controlled sound an visuals using v-module

    let me know what you think..

    thanks jens

  • Induct1 uploaded a new Profile cover

    18 hours 26 minutes ago

  • Mr Fork replied to the topic 'Clarity - Mr Fork - Trance' in the forum.
    23 hours 42 minutes ago


    I haven't uploaded any changes yet. I grabbed a reference track and adjusted quite a bit based on what I was hearing. Still working on it. After listening to it and comparing it to other tracks that are out there I agree with Jemeneye. Definitely lacking the deeper bass. Granted not all tracks have deep bass but this one would lend well to it.

    Replica dotted patterns are the deal. I've been using it since Christmas and loving it. I'm sure you could do it using ableton's devices by manually setting the delay time but seriously this is way easier. The reason I mentioned it no longer being available was that NI stated it was free until Christmas and then $49.99 after that. Now it's simply gone. Even the demo tracks and product info section are missing. All their other devices are there. I wonder if they're doing like they did with the supercharger GT and coming out with a better version of the delay to sell as an upgrade. Not sure but either way you can't buy it at the moment.

    As to the gated pad in the break it's the first time it's used in the track. It doesn't show up until the first bar of the break. Along with the saw pad. In fact nothing in that break was previously used in the track until the reintroduction of the bass and drums. So I'm right on par with what your stating attempting to keep it from sounding too repetitive. I did add a filter to the gated pad with lfo mod just to try it like you mentioned and it did give it more motion so thanks for that. I really appreciate you taking the time to explain. I feel like I'm right on the edge of really getting a few concepts. Each track gets me closer and all the comments you guys are giving me definitely help.

    Bl4cksun there IS something off with the sync on the bass layers. One of the basses actually has a different pattern. just slightly to give it more variation. I'll give the reverb a try. I've been wanting to try that out actually. Some mentioned doing reverb and then doing a high pass filter sweep on the master is a common trick. I'll check it out. Thanks for the tip.

  • Chelsei Kroma

    Hey Team!

    Popping in to say hello! Making sure everything is running smooth for you guys in pro-memberships, sign-ups and general inquiry. Feel free to drop me a line either here or at,, if you have any issues or see something wrong with the site, e.g., spam in a forum we've missed. Thank!
    -Cosm Admin Mistress-

  • Trik is friends with Chelsei Kroma
  • Karl37 replied to the topic 'Clarity - Mr Fork - Trance' in the forum.

    Hey Fork.

    Did you already adjust the mix a bit? i took a listen earlier and it sounded like you had worked on it. Maybe its just me listening with fresh ears today.
    Yeah Replika was a Christmas promotion for NI i don't think you can get it now but yeah im loving that delay especially the dotted 8's and 16's.

    As for the breaks in a track, to me a break is a way to change the energy or the feel of a track, to play with emotions and to gradually bring in something new. I think if you use something in your break that you used in the section before the break it can make the break feel a bit repetitive, if im going to use the same melody like your gated pad i will generally try to make it sound a bit different than it did before like using filters or delays etc and then after the break bring it back as it was originally so you kinda come full circle. Or you can adjust the melody or whatever it is all together. you can use the same midi pattern for subtle variations with different sounds so it feels like a build eventually.
    Of course this depends on the feel of the overall track your going for. :)

  • Bl4cksun replied to the topic 'Clarity - Mr Fork - Trance' in the forum.

    Ive only had a listen on my crappy pc ear phones, but this sounded spot on compared to commercial tracks to my ears.

    I did feel there was a timing issue with the layered bass somewhere between 40s and 1 30s but having listened a few times and read other peoples comments, maybe its a phasing issue.
    I loved the break down and the way it built back up, thought that worked really well, but it might have benefitted with a small silence (or just the reverb tail) after the spash at 3:25ish.. that would have given more impact to everything kicking back in without having to mess with the great interplay of melody, pads and sweep in the break. Same is true at 4:52... buts that just me, but give it a try and see what you think.
    cant wait to hear what you do with it now that you've picked out some weaknesses.
    sorry cant comment on the dull/brightness. sounds ok to my ears in the 0-8khz range ;)

  • Bl4cksun replied to the topic 'A Sine From Gob - Haze Beam' in the forum.

    mesmerising bass..and liked the little 8bit Gameboy type rift aswell...quite an ear worm

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Armed Track Parameter Gate - Free Max For Live Utility

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