Hey, nice track! I enjoyed it.
I have one mixing notice though - to my taste drums sound muddy, maybe not the kick, but definetely the snare sound. It has this strange characteristic, which is hard to describe, but the most close would be that it sounds very filtered OR with some sort of phase issues (I doubt that though, considering you picked sample from the Reason library, but I saw you used the Stereo Imager and it could add some phasing stuff). And your hihats are barely hearable, all in all add more Highend to pretty much everything.
Other than these mixing nit-picks I think its an entertaining track to listen to.
When we are driven by negative energies we can distort the meanings to our actions and the action potentials resonate on the level that negates potential. We must transform the form of our thoughts to be able to manifest the frequencies that we feel inside and the need to control the controller and manifest is granted to each and every one of us as Creators of sound we can find a way to harness our creative thought to be able to manifest form and propagate the waves that ebb and flow like the tide and we can formulate the precedents for sound design as the inner calling that compels us to tinker with sound it is that initial step that is our stepping point to be able to construct a masterpiece of sound and mix layers of lush sonic bliss that can be sensed by the ears of the cosmos.
We are governing this though that there is no lack and there is no need but the freedom to use our hands and fingers to control the machine and navigate our frames in space out of the darkness to find the empowering light that guides us to new heights and new dream visions in sound.
Your most epic yet. Loved the progression change at around 6:00 really gave the tune another gear to end on.
That definitely wouldn't sound out of place in a movie or game
Think you should get the wife to help more often.
Do you use a string ensemble or build your stings up with violin sections, violas, cello, bass etc?
Orchestral drums is something I just can't get right, but yours are spot on.
Just wanted to share my latest track, i'm happy with how this one turned out, i'm still learning how to get these big tracks to sit well in terms of the mixing and use of reverb (common problem with me)
I know this one ain't perfect either, but i did learn quite a bit from this production.
Also id like to mention that while producing this my wife could hear what i was doing, now she does not normally poke her head round the door while i'm producing but in this instance she did, she then sat there with me for 5 hours producing this thing giving me a shit load of ideas on things that would sound good and that didn't sound good, she really enjoyed it too and it was actually really nice getting another ear and viewpoint during a production...anyway sorry for rambling on, enjoy the track lol
K37 - Via Vorbis
Ben Ekengren kc,mo,usa ...producing into second year and feel i have no ceilings...love to try different ideas to learn and play always pushing and changing genre style etc.. ..Mainly use ableton ... tom is god!!..huge inspiration from tom and really value his work.
Holocron you can produce sound at the speed of light and the speed will not influence the depth or the quality of your tune. Maybe the focus on becoming a more adequate producer is about produce a polished track within an hour and mastering the polished track in another hour and then being "finished" and have something to upload that is of high quality and has been properly mastered and that is all fine and dandy but the speed is not the absolute focus in the project it is the conception that is the focus and that primary directive is navigating the internal frequencies of the sound and gaining a sense of independence with those frequencies in that there is no seperation from the frequency and the self in the sense that there is a oneness with the desired frequency and its continuity. Nihilus and Dr. Bishop both resonate on a level that is desirable for the need for sound and its healing properties.
First time poster to this area
I want to share a track I've made: soundcloud.com/scheimann/glassbasementblues-prestonstheme
I'm interested in making production music, 1-2min instrumental tracks that have minimal arrangement. You can read more about how I designed the instruments and sounds here: slate.adobe.com/a/Z0kDG
What do you think? Any thoughts on how the track be improved?
Looking for some Feedback and help with my tracks.
I can never seem to get a consistent final mix. Another thing is random volume increases and decreases in sounds, is this due to over compression?
Any way if you could have a listen to my tracks and lemmie know what ya think, that'd be awesome. Thanks.
Love your tutorials Tom! You come up with great stuff and it gets me thinking in a different way. Plus you're funny as shit to listen too.
One request on a video tutorial tho. Song Structure... I can create sounds/melodies/chord progressions/etc.etc. but for some reason when its all said and done I have trouble placing all the elements together and having it sound like a fluid song.
I almost have trouble taking things away because I've become so attached to a certain sound or rift. haha
The Tom Cosm & Jbam Kickstarter Sample Pack is a collection of carefully crafted high quality samples to help kick start your path to becoming a producer.
Whether you’re just starting to writing music on computers, or need a boost to fill out your current collection, we give you 2,975 “bread and butter” sounds to get you on your way.
The pack was created and compiled by Ableton certified trainer Tom Cosm, and hardware mastermind Jbam, with the vision of offering a comprehensive yet extremely affordable set of samples to give you the foundations you need to start producing straight away.Read more...
The Pro Toolkit is a collection of 19 tools that hack the way Ableton Live works.
This device allows you to control several parameters with a single knob, but only changing the parameters on the current armed track.
An example of how this would be used : Having the same effect on several tracks, with a knob controlling the same parameter for each effect, but only having the effect on the arm track being modified, allowing you to quickly switch where the knob is being sent.
For a more detailed explanation please watch the following video.Read more...
From the 26th until the 31st of December, yearly Pro Memberships are 50% off if you use the coupon code GIMMIE when checking out! That's a whole years worth of downloadable projects, HD tutorials, presets, patches and samples, as well as the entire archive of content that's already there. Click here to become a Pro Member or click here to find out more about what a Pro Membership gives you.Read more...
To celebrate my 10 year anniversary of performing live electronic music, I have uploaded my personal archive of live set recordings dating back to 2004.
This is the most extensive collection of my life’s work, with 27 set recordings combining to make a total of 29 hours, 59 minutes and58 seconds of pure original COSM material.
This is all for free, and you can go and check it now at the official website - cosm.audioRead more...
I've been having a great lot of fun with this new Serum VST synthesizer, so much so I've decided to upload the first 10 bass patches I made for Pro Members. Click here to downloadRead more...
Being able to make a fully-fledged song on nothing more than a consumer laptop and a decent pair of headphones is a truly amazing representation of how technology has progressed over the last two decades.
It’s cheaper, faster, and easier. The immense joy of musical creation is no longer a luxury reserved for those with money. Instead, it’s readily available for any person willing to dedicate the time and patience.
But this advancement and opportunity comes with a few caveats, one of which is that the music creation process in the eyes of a bedroom producer has been flipped upside down, chopped-up, and compressed into one holistic task.
Is this a bad thing? No. Not at first look, at least. Every producer has a different workflow, and in my opinion, anyone who stays in the game long enough climbs out of the ruts and moves past difficulties in that area.
Despite this, there is a problem that many developing bedroom producers encounter. The problem of frustration: not being able to finish tracks, taking too long to finish them, or trying to grasp at the enjoyment that you once felt when creating music. This sense of frustration generally has more than one cause, and this article probably won’t fix it, but it may help some of you.Read more...
This utility allows you to specify 16 individual points on the chain selector, allowing you to jump to that point with a single push of a MIDI assignable button.
There is also a previous/next button to move forward or back through your points.
You can also enter text for each preset, which will be displayed in a popup window so you always know which point is selected.Read more...
I've uploaded the entire Ableton Live project files for my two latest tunes, Chelsei's Sea Shells and Mind Gobbies. Here are video runthroughs of each of the two tunes.Read more...
Today I am releasing the beta version of Seepage, an additive style synthersizer/Max for Live patch that gives you control over the behaviour of individual harmonics.
It's available right now for Pro Members to download, play and give feedback on how the future versions should be made.Read more...