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I'm going to share a little tip that came to me a while ago, which has really speed up the rate in which I produce ideas that I consider to be quality. It's a very simple thing, requires a little bit of self control, and may even sound a bit hard to believe, but I highly suggest you give it a go and see if you get the results too.
The tip is this, next time you've nailed something in your track to the point where you get that F#@K YEAH feeling, listen to it once or twice in it's entirety, and then keep working on adding something new to it, or move on to something else,
If you get your bassline and your kick sitting perfectly, don't sit there looping it over and over, enjoying how good it sounds. Tease yourself! Start adding some new elements (percussion or some synths etc) straight away while it still sounds super cool.
The more you listen to that loop, the less special it is going to sound to you, and that will ultimately decide how you put the rest of the elements together later on. You will be adding things to a loop that is less exciting that it actually is.
You want the people who hear your tune to be hooked when they listen, so if it sounds excellent right now, it most likely will to them too, but if you rinse it out in your ears, it will bring everything down and you will try adding new things to make it exciting again, instead of adding new things to accompany how exciting it actually is.
It's a hard thing to do.... there's nothing like sitting back and enjoying the riff you've created again and again... but save it up for the end. Chuck it on your iPod and listen to it everywhere you go once it's done.
Obviously go ahead and listen to it to try and get new ideas, but for pure listening pleasure, hold yourself back and see what happens.
Challenge!
Get Serious
Are you interested in Producing or Live Performance? Most people who are, don't do anything about it. And that hurts.
You've got the ideas, you just need the theory. Pull your finger out and let me teach you.
No bullshit, no condescending tone... just quick, straight to the point tools for you to get making blips and bleeps as soon as possible.
The Pro Member archive has many gigabytes of HD Videos and Ableton Live packs. Like this one
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Please click the link below to view it.
http://bowltechone.podOmatic.com/entry/2010-01-16T08_02_10-08_00
Dj Wirdness
Another way around this is to arrange each track in isolation ie. bass, drums, fx etc So you construct a bass line, construct drums at same tempo (obviously) then melody 1, then maybe counter melody, etc. Chop up and then add together and see how it sounds :) This is a quick way to build a track from disparate parts that conform only to key signature. This is best for melody and counter melody/harmony as you get progressions and melodic intervals that you might not have thought up on your own
aksha you don't know how much happy i am to see you say that (i'm not the only one with that problem)i hate my work so hope that this tip will change that a bit
thanks tom
Yes!! You are a legend tom.
I had this exact same realisation a few days ago, after listening to something i had made over and over for about 3 hours. I should turn the loop off, remember what it was and make stuff to work with it while the excitement is still flowing.
I ruined my last track by doing the same thing, to the point where i didn't want to work with it again as it was grossing me out.
thanks for putting this into words. i am actually looking forward to my next creative session (i tend to hate them towards the end as I listen to everything too much!)
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