<table border="1" bordercolor="#FFCC00" style="background-color:#FFFFCC" width="100%" cellpadding="3" cellspacing="3">
<tr>
<td>Name</td>
<td>Art Version</td>
<td>Volume Label</td>
<td>Slogan</td>
</tr>
<tr>
<td>Luc</td>
<td>1</td>
<td>Vol.2</td>
<td>Keep the same</td>
</tr>
<tr>
<td>SUBSET</td>
<td>1,2,5</td>
<td>Vol.II</td>
<td>-</td>
</tr>
<tr>
<td>FCARROLL</td>
<td>1</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>SCHEIMANN</td>
<td>3,4</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>CARIS</td>
<td>1,4</td>
<td>Vol 2., Vol II</td>
<td>Table Cell</td>
</tr>
<tr>
<td>NAIAN</td>
<td>1,4</td>
<td>Vol II</td>
<td>Table Cell</td>
</tr>
<tr>
<td>Karl</td>
<td>1,3</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>9000knobs</td>
<td>1,5</td>
<td>Vol.2</td>
<td>Table Cell</td>
</tr>
<tr>
<td>Bl4cksun</td>
<td>1,2</td>
<td>Vol.II</td>
<td>-</td>
</tr>
<tr>
<td>Damon</td>
<td>1</td>
<td>Vol.II</td>
<td>Keep the same</td>
</tr>
</table>
<p style="font-family:verdana,arial,sans-serif;font-size:10px;"><a href="www.quackit.com/html/html_table_tutorial.cfm" target="_top">HTML Tables</a></p>
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I think you mean that when the kick drops, the bass gets pushed away, giving you that connected feeling with bass and kick. Like its one line of sound, nog 2 different instruments.
This is actually a basiprincipe in modern dance music.
It's called Sidechain compression.

Every time the Kick drops, the bassline will get pumped away, to give room for the punchy attack of your kickdrum. If you would EQ your bass and eq in the same freqs,they would sound muddy when combined together.
By using sidechaincompression , you can use the same boosting freqs in the bass and kick, so they can sound somewhat the same .
When they would be played, the compression makes a smooth transition between the punchy attack of the kickdrum, and the warm body of the bassline. Thats how you also get that 4/4 pumping clubsound.
More info on sidechain compression :
www.youtube.com/watch?v=nQnOQWLURFU

Hope that could help, dunno if that was your question.
Your text was a bit off

Greetz
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